Wilson Audio Alexx V- Wilson Audio certainly don’t manufacture cheap speakers but what they do is produce some of the most respected and accomplished loudspeakers this world has ever seen, from the Sabrina to the WAMM you get the same natural, delicate and open sound that get’s as true to the recording as possible whilst pulling you into the music at the same time, Wilson use non-wood materials for their cabinets with time alignment of the drivers playing an important part of their design and look offering something quite unique, HFL are really proud to add Wilson Audio to our portfolio so please come in for a listen to what Wilson Audio has to offer.
Due 29th March on Permanent demo at HiFi Lounge, please enquire with any questions or to book a demo.
Please find all the information we have below, to be updated once we hear more from Wilson Audio
When it came time to upgrade the Alexx®, Daryl Wilson wanted to be sensitive to where research and development had brought Wilson Audio over the past five years. The decision was made that a fresh look at the Alexx was in order, so Wilson Audio’s R&D team approached the Alexx V as it if were an all-new loudspeaker. They took elements that clearly worked in the original design and began to apply the myriad of technologies generated by Wilson’s R&D since the advent of the Alexx. Following major launches of the WAMM Master Chronosonic®, Chronosonic XVX®, Sasha DAW®, and SabrinaX®, Alexx V joins a very special family of groundbreaking loudspeakers designed and handcrafted especially for music lovers and audiophiles alike.
The original Alexx loudspeaker, launched in 2016, quickly gained critical acclaim throughout the industry. Alexx benefited from several elements developed during the five years Wilson Audio’s founder David A. Wilson, and his unwavering R&D team, brought to life his magnum opus: the WAMM Master Chronosonic. Now, five years after the monumental accomplishment of the WAMM, Alexx V builds upon the original Alexx’s success by offering a completely re-engineered performance envelope without greatly increasing the footprint. Comparing the overall size of Alexx V to the original, Alexx V is only 1″ deeper and 1″ taller while maintaining the same width.
Each and every component of Alexx V has been re-evaluated and significantly improved. The launch of Alexx V represents a cumulative approach to loudspeaker design, something that Wilson Audio has been steadfast about integrating since the very first location monitor that Dave built almost five decades ago. Incorporating the latest technologies, engineering efficiencies, and material sciences, Alexx V has improved upon the original Alexx by giving, yet again, a higher level of resolution (both temporally and audibly). Finally, Alexx V incorporates Wilson Audio’s latest design language which started with the WAMM Master Chronosonic. The open gantry design not only allows for more structural rigidity and setup flexibility, it also provides a more free flowing organic look and emotionally expressive sound.
Continuing the Midrange + Tweeter
Midrange (MTM) design geometry of the original Alexx, our engineering team has spent considerable time advancing key components of the loudspeaker’s sound characteristics. Every baffle angle, at every module position, has been refined. The time-alignment accuracy of Alexx V is much closer to the XVX, giving this system the ability to recreate micro-detail one would expect from a much larger system. The different sized lower and upper midrange drivers allow for a more careful tuning of the frequency band, which, when combined with the latest manufacturing advances, gives a greater degree of accuracy and adjustability. The incredibly fast and resolving 5.75″ mid-woofer used in the original Alexx, TuneTot, and SabrinaX, carries over for Alexx V. With the midrange band managed by two dissimilar sized drivers we opted to leverage the incredible advances of our Alnico (Aluminum, Nickel, Cobalt) QuadraMag® design. This 7″ mid was originally developed for XVX Chronosonic and has a warmth, beauty, and texture that brings to life all the elements in your favorite recordings. The QuadraMag driver combines four separate magnets, arranged in an innovative quadrature geometry, further enhancing the delicate intricacies of the all-critical midrange reproduction quality.
Behind the midrange drivers, internal wave diffusers have been integrated to further aid the resolving power by dramatically increasing the settling speed of the system. This creates a more life-like reproduction of midrange tone, expression, and accuracy in these remarkable midrange drivers.
When it came to the tweeter, the R&D team once again considered all available options. Fundamentally, the integration of the tweeter and midrange is an absolutely critical element to sound reproduction. Countless hours were spent examining areas of improvement. After careful and methodical consideration, the R&D team decided to build an all-new tweeter system. Therefore, Alexx V features an entirely new Convergent Synergy Carbon (CSC) tweeter, which builds upon a modified version of the previous Convergent Synergy motor while embracing an outstanding and intricately innovative rear-wave chamber. This all carbon fiber design is completely manufactured in-house using several 3D printers. The sonic results of this tweeter development cycle have been nothing short of dramatic. The CSC offers far greater and more linear high frequency extension while providing unprecedented ambient retrieval and superior harmonic detail.
Wilson Audio originally developed the 10.5″ and 12.5″ woofers in conjunction with the WAMM Master Chronosonic. These state-of-the-art bass drivers incorporate Wilson Audio’s latest thinking into accurate and musical low frequency reproduction. Carefully optimizing the Alexx V enclosure, the internal volume has dramatically increased by sixteen percent compared to the original Alexx. The net result is that Alexx V features almost the same internal woofer volume as the Chronosonic XVX, which in turn allows for much deeper low frequency reproduction, faster transient settling, and an overall increase in bass resolution.